Luckily, that also made this one of the most exciting years for singles on the charts and in our own personal playlists in recent memory -- one in which the biggest hits were also some of the most challenging and rewarding, and in which the more conventional pop songs that did break through on a massive scale felt fresher than they have in a long time. From the "Shallow" to "The Middle" to the highest of "High Hopes," music was captivating at all levels in Here are the Billboard staff's favorite songs of the year. An obvious Hot chart topper and delightful fixture on pop radio. Jessie Reyez, "Body Count". Young Fathers, "In My View". Avril Lavigne, "Head Above Water".
1. Childish Gambino – This Is America
Featuring big hits from Calvin Harris & Dua Lipa, Drake, Ariana Grande and Anne-Marie.
Kanye West has also been somewhat productive throughout this period. We tabulated the votes. Our own editorial list might look a little different, but the result is an excellent reflection of an incredible period in music history.
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The track, which spent eight weeks at Number 1 between April and June, takes the top spot on the chart of the year with a combined sales figure of 1. The song, which trailed his fifth album Scorpion, spent nine weeks at the helm between February and April. Drake may have just missed out on the top spot, but he bags two more spots in the Top fellow chart-toppers Nice For What and In My Feelings place at 7 and
Guardian music writers have picked their favourite songs of the year — from UK drill breakthroughs to pure pop anthems — and put them all on a giant playlist. Mon 3 Dec K icking off our roundups of the best music of , polled from votes by more than 50 Guardian music writers, we count down our favourite tracks of the year — topped by a man who managed to unpick US racial politics, launch a thousand thinkpieces and reach No 1 in the US charts, all with a single track. Read about the top 20 below, and hear the whole top in playlists on Spotify and Apple Music. There are only two bands in this top 20, showing how the cultural dial at least among Guardian critics has continued to drift away from indie and rock.